January Jams: Sam Bush Band
Sam Bush Band
For Fans of: Newgrass Revival, Ricky Skaggs, John Cowan, Tim O’Brien
If joy were a person, he’d bring both peace and frenzy. He’d be full of music, light, and energy that
soothes even as it stirs us up. Eyes closed, wire-rim glasses in place, mandolin pressed against his ribs,
joy would be Sam Bush on a stage.
“I feel fortunate that when it’s time to play, no matter how I feel physically or mentally, once the
downbeat starts, my mind goes to a place that’s all music,” says Bush. “The joy of the music comes to
me and overtakes me sometimes––I just become part of the music.”
That rapt merging of life and art fills Bush’s new album Storyman, a freewheeling collection that
gleefully picks and chooses from jazz, folk, blues, reggae, country swing, and bluegrass to create a
jubilant noise only classifiable as the Sam Bush sound. Many of the songs are stories––several of them
true––and the legendary mandolin player co-wrote every one of them with friends including Guy Clark,
Emmylou Harris, Jon Randall Stewart, Jeff Black, and others.
“I’m hoping it just kind of flows for people and makes them go, ‘Hey! It’s a Sam record. It sounds like
Sam and the band,’” Bush says. “But for the first time ever, I also find myself thinking, ‘I hope you enjoy
the stories.’ It’s my singer-songwriter record.”
The Father of Newgrass and King of Telluride has long since established himself as roots royalty, revered
for both his solo and sideman work, which includes time with Harris, Lyle Lovett, and Béla Fleck. But
instead of kicking back and soaking up honors such as an Americana Music Association Lifetime
Achievement Award and suite of Grammys and International Bluegrass Music Association trophies, Bush
still strives relentlessly to create something new.
Raised on a farm just outside of Bowling Green, Kentucky, Bush grew up plowing tobacco fields in the
Southern summer heat alongside his family. He started playing mandolin when he was 11 years old. “I
believe growing up on a farm probably helped me channel my energy into learning music and being so
interested in it,” Bush says. “Me and my sisters, we all loved it. I’ve often wondered if that’s because
growing up on a farm, you couldn’t go ride your bike all over town and horse around like the other kids.”
For Bush, a lifetime of channeling his energy has led to stylistic innovations that have changed the
course of bluegrass and roots music alike.